![]() Its samples were clearly meticulously recorded, and we found no fault with any of the patches (16- or 24-bit) when we started playing around with them. You can't fail to be impressed when you first hear what HSO can do. The thinking here is that the pitchbend control is self-centering, so can be easily used for performing diminuendos as well as crescendos. Velocity Plus Pitchbend patches are similar, though with these, the pitchbend is used to control volume and therefore isn't available for pitch manipulation. ![]() If you use a Velocity patch, meanwhile, the velocity level is used to determine which layer is used. Xswitch patches are suitable for less powerful systems, as they use layer-switching rather than crossfading, so only one stereo sample is used at a time. Needless to say, these patches place the most demands on system resources, and they're also the most expressive. If you load an Xfade patch, you can use a continuous controller (like your modulation wheel) to fade between up to four stereo layers. This being the case, HSO features up to four different versions of each patch, and each of these is controlled in a different way. String, woodwind and brass instruments all use either bow or air pressure to control the envelope and timbre of a note (players also make subtle finger and lip movements), but MIDI keyboards only offer velocity-sensitive keys, and perhaps aftertouch. If you select Brass, then Trumpet, for example, you're left with only four banks, though each one does contain more than 20 variations.Īs you may be aware, creating authentic orchestral parts on a MIDI keyboard can be rather difficult. There are more than 150 banks on offer, so it's good that you can focus your browsing by narrowing down the categories in the appropriately named Category pane. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |